"Pat Oliphant is probably the most influential editorial cartoonist now working." - New York Times
When Pat Oliphant puts pen to paper, politicians run for cover. The most widely syndicated editorial cartoonist in the world, Oliphant spares nithing and no one in his right-on interpretation of current events. From depicting terrorists as sewer rats to wondering about the far-reaching effects of the O.J. Simpson trial, Oliphant's cartoons cover the gamut of today's newsmaking issues.
Syndicated in more than 450 newspapers, Oliphant has won the Pulitzer Prize for editorial cartooning, the International Editorial Design Conference Award, the American Illustrators Association Award, and was voted "Best Editorial Cartoonist" by ther National Cartoonists Society. He's the co-founding father of the notoriously humorous Bad Golfers Association and has exhibited drawings and sculptures in numerous U.S. galleries. In fact, Oliphant's The New World Order in Cartoons and Sculpture served as the catalog for a new exhibit of his work, which opened in Washington, D.C., and toured eastern Europe in 1994 and 1995.
"Pat Oliphant is probably the most influential editorial cartoonist now working." - New York Times
When Pat Oliphant puts pen to paper, politicians run for cover. The most widely syndicated editorial cartoonist in the world, Oliphant spares nithing and no one in his right-on interpretation of current events. From depicting terrorists as sewer rats to wondering about the far-reaching effects of the O.J. Simpson trial, Oliphant's cartoons cover the gamut of today's newsmaking issues.
Syndicated in more than 450 newspapers, Oliphant has won the Pulitzer Prize for editorial cartooning, the International Editorial Design Conference Award, the American Illustrators Association Award, and was voted "Best Editorial Cartoonist" by ther National Cartoonists Society. He's the co-founding father of the notoriously humorous Bad Golfers Association and has exhibited drawings and sculptures in numerous U.S. galleries. In fact, Oliphant's The New World Order in Cartoons and Sculpture served as the catalog for a new exhibit of his work, which opened in Washington, D.C., and toured eastern Europe in 1994 and 1995.