חיפוש מתקדם
Turner, Martyn
THE BLACKSTAFF PRESS

friend, a fellow cartoonist, wrote to me a few years back about how desperate the state of the world looked: wars, greed, corruption, political shenanigans, terrorism, infighting and intrigue. Should be a great year for us, he said. Sempé, the great French cartoonist, once drew a cartoon where you could see not only the theatre audience but also, behind the fallen curtain, the actors. The audience, having just seen a tragedy, were leaving the theatre in tears; the cast, having performed the play so well that the audience had been moved to tears, were celebrating wildly. The cartoonist's function is the reverse of the tragedian's; we try to extract something from the misery out there that will keep the audience smiling - if not actual laughter, then at least a grunt of agreement or a laugh of desperation.

So why The NOble Art of Politics? Well, the 'noble art' is boxing, and politics in this country is the next worst thing to boxing. And the NO in 'NOble' is because all our politicians have a proclivity to saying NO, as if compromise was some sort of disease to be avoided at all costs. And then the 'ble' bit is pronounced bull and when they are not saying NO, the politicos are usually spouting bull. It's amazing, with all those things going for it, that I hadn't used the title before now. This is, after all, my eleventh book of cartoons (some of the others still available in good bookshops).

The last two years were probably somewhat worse for the world than usual and therefore, theoretically, somewhat better for cartoonists. But there is a limit to everything. The day I write this the two main news stories are the bombing of Grozny and the aftermath of the Belgian paedophilia murdercases. There are some things that are just uncartoonable. At home we have had the aftermath of the ending of the IRA ceasefire. It has been equally hard to be creative and imaginative when, for example, we enjoy the utterings of creative and imaginative politicians who can blame an IRA bomb in London on the British government or who can call Drumcree a triumph for democracy and tolerance. Follow that. Well, I tried to, and in these 120 pages you can see how...

MARTYN TURNER
AUGUST 1996

The Kill Artist
Books of Daniel
Lurie's Worlds
Chopin
The Target
The Ensemble
Posters
Anthem
Art nouveau
The NOble Art of Politics
Car-Mus TUR

friend, a fellow cartoonist, wrote to me a few years back about how desperate the state of the world looked: wars, greed, corruption, political shenanigans, terrorism, infighting and intrigue. Should be a great year for us, he said. Sempé, the great French cartoonist, once drew a cartoon where you could see not only the theatre audience but also, behind the fallen curtain, the actors. The audience, having just seen a tragedy, were leaving the theatre in tears; the cast, having performed the play so well that the audience had been moved to tears, were celebrating wildly. The cartoonist's function is the reverse of the tragedian's; we try to extract something from the misery out there that will keep the audience smiling - if not actual laughter, then at least a grunt of agreement or a laugh of desperation.

So why The NOble Art of Politics? Well, the 'noble art' is boxing, and politics in this country is the next worst thing to boxing. And the NO in 'NOble' is because all our politicians have a proclivity to saying NO, as if compromise was some sort of disease to be avoided at all costs. And then the 'ble' bit is pronounced bull and when they are not saying NO, the politicos are usually spouting bull. It's amazing, with all those things going for it, that I hadn't used the title before now. This is, after all, my eleventh book of cartoons (some of the others still available in good bookshops).

The last two years were probably somewhat worse for the world than usual and therefore, theoretically, somewhat better for cartoonists. But there is a limit to everything. The day I write this the two main news stories are the bombing of Grozny and the aftermath of the Belgian paedophilia murdercases. There are some things that are just uncartoonable. At home we have had the aftermath of the ending of the IRA ceasefire. It has been equally hard to be creative and imaginative when, for example, we enjoy the utterings of creative and imaginative politicians who can blame an IRA bomb in London on the British government or who can call Drumcree a triumph for democracy and tolerance. Follow that. Well, I tried to, and in these 120 pages you can see how...

MARTYN TURNER
AUGUST 1996

The Kill Artist
ספורת
Books of Daniel
ממוין
Key Houses of the Twentieth Century
ממוין
Jewish Feminism In Israel
ממוין
Lurie's Worlds
ממוין
The Anchor Bible Genesis
ממוין
Chopin
ממוין
The dream thieves
מדע בדיוני
Shock for the Secret Seven
נוער
The Visual Dialogue
ממוין
The Target
ספורת
The Ensemble
ספורת
Posters
ממוין
THE WORK OF CHARLES AND RAY EAMES
ממוין
MAKING PEOPLE - FRIENDLY TOWNS
ממוין
Anthem
ספורת
Art nouveau
ממוין
Towards post-modernism
ממוין
The Ungentlemanly Art
ממוין
The Immortal Throne
מדע בדיוני