חיפוש מתקדם
HUTCHINSON


In MAN BITES MAN Steven Heller has compiled samplings from portfolios of work by twenty-two universally acclaimed graphic satirists, cartoonists, caricaturists, storytellers and commentators. He has selected drawings that have been produced within the past twenty years primarily because the strengths of these cartoonists have shone through, elucidated and reflected the events and sensibilities of the past two tumultuous decades.

The artists whose drawings are presented within these pages display markedly different styles and points of view. All twenty-two are exemplars of the political, social and cultural relevance of the art of satire. What draws them together is a common thread: their need to communicate ideas that fire passions, stimulate the imagination and upset the status quo.

The flame of satire burns brightly in the artists represented in MAN BITES MAN. They display a wide range of painterly and graphic skills and a love of drawing. Most important, they have expanded the definition of cartooning —as Steinberg has done with his amalgam of abstract forms and personal symbology. Significant too is the debt owed to these artists by the scores of neophytes who have ‘‘borrowed’’ styles, most notably from Searle, Osborn, Levine, Feiffer, Sorel, Booth and Blechman.

Steven Heller is the art director of the New York Times Book Review. He has produced exhibitions of satiric art and his articles on the graphic arts have been included in Graphis, Print, and Upper and Lower Case. In addition to MAN BITES MAN, he has edited ARTISTS’ CHRISTMAS CARDS and produced THE EMPIRE STATE BUILDING BOOK, THE BOOK OF WATERS and SUN CITY FABLES.

LBJ Lampooned
Mother of All...
Shred This Book
Commix
Scarfe Land
The Comics
Man Bites Man
Car-Mus MAN


In MAN BITES MAN Steven Heller has compiled samplings from portfolios of work by twenty-two universally acclaimed graphic satirists, cartoonists, caricaturists, storytellers and commentators. He has selected drawings that have been produced within the past twenty years primarily because the strengths of these cartoonists have shone through, elucidated and reflected the events and sensibilities of the past two tumultuous decades.

The artists whose drawings are presented within these pages display markedly different styles and points of view. All twenty-two are exemplars of the political, social and cultural relevance of the art of satire. What draws them together is a common thread: their need to communicate ideas that fire passions, stimulate the imagination and upset the status quo.

The flame of satire burns brightly in the artists represented in MAN BITES MAN. They display a wide range of painterly and graphic skills and a love of drawing. Most important, they have expanded the definition of cartooning —as Steinberg has done with his amalgam of abstract forms and personal symbology. Significant too is the debt owed to these artists by the scores of neophytes who have ‘‘borrowed’’ styles, most notably from Searle, Osborn, Levine, Feiffer, Sorel, Booth and Blechman.

Steven Heller is the art director of the New York Times Book Review. He has produced exhibitions of satiric art and his articles on the graphic arts have been included in Graphis, Print, and Upper and Lower Case. In addition to MAN BITES MAN, he has edited ARTISTS’ CHRISTMAS CARDS and produced THE EMPIRE STATE BUILDING BOOK, THE BOOK OF WATERS and SUN CITY FABLES.

The Penguin Book of Private Eye Cartoons
קומיקס
Persona non grata
קומיקס
An Independent Line
קומיקס
Dancing in the Desert with Cook
קומיקס
Top Selection: The Finest International Political Cartoons of our Time
קומיקס
The Man On The Couch
קומיקס
Wreckage Begins With "W"
קומיקס
Off to the Revolution
קומיקס
LBJ Lampooned
קומיקס
Mother of All...
קומיקס
The Fanatic's Guide to the Bed
קומיקס
Shred This Book
קומיקס
Shooting the Witness
קומיקס
Commix
קומיקס
The Ungentlemanly Art
ממוין
The World According to Carp
קומיקס
The Saturday Evening Post Cartoon Festival
קומיקס
Jules Feiffer's America
קומיקס
Scarfe Land
קומיקס
The Comics
קומיקס